Past Exhibition

ਸ਼ੀਸ਼ੇ ‘ਚ ਤਰੇੜ | sheeshe ‘ch thareṛ | a crack in the mirror

Simranpreet Anand, Conner Singh VanderBeek
Jan 28, 2022
to
May 07, 2022
EXHIBITION
Simranpreet Anand, ਮਾਲ ਕੈ ਮਾਣੈ ਰੂਪ ਕੀ ਸੋਭਾ ਇਤੁ ਬਿਧੀ ਜਨਮੁ ਗਵਾਇਆ ॥ maal kai maanai roop kee sobhaa it bidhee janam gavaiaa || (detail), 2021, cardboard tubes, various synthetic fabrics, ashes, soot, charred and melted plastic.
Simranpreet Anand with Conner Singh VanderBeek, ਊਚ ਨੀਚ ਬਿਕਾਰ ਸੁਕ੍ਰਿਤ ਸੰਲਗਨ ਸਭ ਸੁਖ ਛਤ੍ਰ ॥ ਮਿਤ੍ਰ ਸਤ੍ਰੁ ਨ ਕਛੂ ਜਾਨੈ ਸਰਬ ਜੀਅ ਸਮਤ ॥ uooch neech bikaar sukirat sa(n)lagan sabh sukh chhatr || mitr satr na kachhoo jaanai sarab jeea samat || 2021, Chandoa Sahib, Rihal, Chaur Sahib, plastic marigolds, plastic rose petals, white sheet, installation dimensions variable. Rachel Topham Photography.
Simranpreet Anand and Conner Singh VanderBeek, ਕਉਣੁ ਸੁ ਸਨਮੁਖੁ ਕਉਣੁ ਵੇਮੁਖੀਆ ॥ kaunu su sanamukh kaun vemukheeaa ||, 2021, single channel colour video with sound, 5:06, Gurbani radio, cushions, white sheet.

sheeshe ‘ch thareṛ is a survey of recent works by artist Simranpreet Anand, including collaborative pieces with artist and scholar Conner Singh VanderBeek. Anand’s practice, indebted to familial and cultural community, engages materials and concepts drawn from the histories of Punjab and its diasporas. The title of the exhibition, sheesh ‘ch thareṛ, captures the fissures emerging from her ongoing encounters with matter and material culture in our globalized world. The show opens with ਬੰਦੇ  ਚਸਮ  ਦੀਦੰ  ਫਨਾਇ / bande chasm deedn fanaai (Ang 723), a body of works that takes the synthetic, plastic-laden material culture that surrounds contemporary Sikh institutions as its starting point. Parallel to this series are works that consider the fabric of everyday life, attending to its embodied histories and gendered contexts of labour.

Guest curated by Sajdeep Soomal.

Downloadable Catalogue

Follow us