Past Exhibition

Art on Demand 3.3

Artist Sage Sidley and Curated by Chantelle Fawcett
Sep 21, 2017
to
Nov 12, 2017
EXHIBITION

Sage Sidley explores concepts of place, time, and memory in the context of site-specificity and urban ideologies. The artist frequently creates her work directly onto architectural surfaces, as she has done for this exhibition. In doing so, she engages with notions of the ephemeral, and challenges perceptions of space and reality.

Sidley’s installation examines how cellphone photography has become a form of interpersonal communication. Cellphone pictures are associated with identity construction, and a proliferating range of social and cultural activities now revolve around this technology.

Though the photograph has been considered a faithful way to reproduce visual reality, the rise of digital imaging and social media has made us critically aware that photographic images are frequently constructed and altered. Sidley’s work asks viewers to question what we use photos for.

The experience of looking at art is increasingly mediated through digital screens and shared through social media sites, changing galleries from sites where we primarily engage in seeing, to sites where we concentrate on being seen.

Technology is dramatically influencing in-person experiences, and many galleries and museums are responding by programming exhibitions that encourage the creation and dissemination of digital imagery. Sidley’s work simultaneously participates in and critiques this trend. Using paint and ink to extend the floor of the gallery, Sidley’s hyper-realist figures, drawn from iPhone photographs, occupy the space with us. As viewers, we’re in the line of fire as figures on one side of the gallery snap photos of those on the other. We both interrupt and participate in this activity: while we look at these life-sized figures, they gaze back at us through their hand-held devices, constituting us as subjects on view.

Sidley’s drawings make us aware of our behaviour in the gallery space without explicitly commenting on it. Have you snapped a selfie yet? Will you?

The Reach Art on Demand 3.3 Monograph

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